Industrial Cathedral

Industrial Cathedral
"Industrial Cathedral" charcoal on paper 131 x 131 cm Jane Bennett. Finalist in 1998 Dobell Drawing Prize Art Gallery of NSW Finalist 1998 Blake Prize Winner 1998 Hunter's Hill Open Art Prize

About Me

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Sydney, NSW, Australia
I'm an Industrial Heritage Artist who paints "en plein air".If it's damaged, derelict, doomed and about to disappear, I'll be there to paint it.
Showing posts with label Jolly Frog. Show all posts
Showing posts with label Jolly Frog. Show all posts

Tuesday 28 July 2020

In the pink -the former Pyrmont Arms Hotel, Harris Street Pyrmont

The former pub 'The Pyrmont Arms' was at 42-44 Harris Street, Pyrmont on the corner of Harris and Bowman Streets.
Built in the 1870s,it closed in the early 1990s when the CSR refinery and distillery were progressively shut down and demolished to make way for the Jackson's landing development. Since then, it has been renovated as retail outlets, restaurants and home units.

P248 The 'Pyrmont Arms' from the CSR 1
1990 oil on canvas 31 x 31cm
I first painted the Pyrmont Arms Hotel as a bird's eye view from the roof of the CSR refinery.I had been the 'Artist in Residence' at the CSR Refinery from the late 1980s to the start of its demolition in the mid 1990s. I had previously been painting at the top of the Panhouse, but one day in a fit of bravery I decided to paint from the top of the Boilerhouse next to the chimneys.
The CSR boilerhouse is now the site of the 'Elizabeth' apartment block of the Jackson's Landing LendLease development.
The Pyrmont Arms Hotel was then still an operating pub and was painted a grubby faded pale pinkish beige. On the back of the pub's western side facing the Scott Street squats, there was a huge ad for 'Have a cold gold KB', unfortunately not visible from my rooftop studio. Across the road was the brick facade of the CSR chem labs.
It didn't stand out from the rest of the rather dingy terraces at the 'Land's End' of Harris street, but what caught my eye was the contrast between the terraces and the overgrown area around the squats that was rapidly turning into a wilderness. I painted a small square canvas focussing on just the Pyrmont Arms, and resolved one day to paint a panorama of the northern end of Harris Street from this vantage point.

P249 'Pyrmont panorama- from the CSR '
1991 oil on canvas 46 x 92cm
A few months later, I climbed the many levels of revolting, sugar syrup encrusted stairs to the top of the CSR boilerhouse again, to paint this panorama, and was startled to find that the formerly almost unnoticeable pub had succumbed to a brash attempt at 'renovation'.
Weirdly, it shared the same revolting shade of pink with another dying pub at the other end of Pyrmont, the 'New York Hotel' in Edward Street, opposite the Pyrmont Power Station.
This fluoro paint job was such a product of its time that it defined the late 1980s to 1990s, a period without style or taste. I remember leggings and jumpers in that same fabulously horrid "glow in the dark" colour, possibly an over-reaction against the ochres and browns of the 1970s. In architecture, it was known not very fondly as "Paddington Pink" or "Paddo pink" for short, although the examples in Paddington itself were much more muted.

P248B 'The 'Pyrmont Arms' from the CSR 2'
1991 oil on canvas 31 x 31cm
It made the Pyrmont Arms stick out like a sore thumb from the dingy red brick warehouses and bond stores, and not in a good way.
I don't know if it was still an operating pub then or whether the new paint job was a desperate last ditch attempt to attract customers or preparation for its sale and possible redevelopment.
For the truth was that the pubs of Pyrmont were hanging by a thread. Their customers were gone with the destruction or relocation of the local industries that had employed them, and the industries of Pyrmont's future were yet to replace them.
The CSR Refinery and Distillery, which had replaced the sandstone quarrymen of northern Pyrmont a century before, was almost deserted and would be demolished and replaced with Jackson's Landing by the middle of the decade. But there was a strange interregnum before the new apartments were built and filled with inhabitants, and the northern end of Harris Street was a ghost town.
The iconic Terminus Hotel, only 2 blocks further up Harris Street, had already ceased trading a decade before, and stood abandoned, neglected and a constant source of speculation for the next 30 years, before its very recent renovation. How the 'Royal Pacific', later to be rechristened the 'Pyrmont Point'/ 'Point Hotel', ever kept on trading is a much bigger mystery that any of the urban myths swirling around the 30 year vacancy of the Terminus.
What is it with the lurid colour schemes inflicted on moribund pubs?
Far from Pyrmont, another doomed hotel, the 'Jolly Frog' also got the pink treatment not long before it suffered one of those mysterious fires that afflict abandoned buildings.
They must have used the same colourblind painter and decorator. And he must have got the paint at a huge discount, or it might have 'fallen off the back of a truck'.
Either way, it didn't work. All closed as pubs not long after.

P248C '42 Harris st -ex Pyrmont Arms'
2012 oil on canvas 31 x 31cm
The 'New York Hotel' has been painted a tasteful off-white, and is now a medical centre, of all things!
'The Pyrmont Arms' has now been painted a dull blue on the ground floor and a muted yellow for the upper floors. It is no longer a hotel, but has been reasonably sympathetically renovated and is now a combination of apartments above and a bottle-o below.
And the Jolly Frog, 6 years after its devastating fire, is still awaiting redevelopment.

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Sunday 16 February 2014

There's nothing...Painting the Jolly Frog Part 3

Tis the season to be jolly.... not.
Not if you happen to be a frog, anyway, after a nasty outbreak of "Spontaneous Pub Combustion".

plein air oil painting of the "Jolly Frog" in Windsor by artist Jane Bennett
 WJF5 'The 'Jolly Frog' (there's nothing...) 
2013 oil on canvas 25 x 31cm
Available
When I looked more closely at my painting (this canvas was painted in December 2013, just a month before the fire) I noticed the prophetic words "There's nothing" in the background to the left.
It is part of the "Holden" sign of the neighbouring car yard, and says in full "There's nothing quite like a Holden".

plein air oil painting of the "Jolly Frog" in Windsor by artist Jane Bennett
Detail of WJF5 'The 'Jolly Frog' (there's nothing...)
2013 oil on canvas 25 x 31cm

The entire sign was rather ironic, come to think of it.
"There's nothing like a Holden" ?
Oh, but there is - Ford, Ansett, Gowings,Toyota, possibly even SPC Ardmona and Qantas to join them.
I chose the phrase "the boiling frog" as appropriate to christen my first post about painting the "Jolly Frog".
The differences from one day to the next are apparently imperceptible, but it is harder and harder to go back.
I've just read the excellent historical notes on the self-guided Windsor Heritage Walk, that I discovered in the Macquarie Arms Hotel. 
Apparently this area on the bank of South Creek was the Green Hills Burial Ground. It was in use from the early 1800s until Governor Lachlan Macquarie proclaimed the new burial ground in 1811,now the cemetery of  St Matthews Anglican Church. It is thought that until the 1840s criminals continued to be buried on the bank of South Creek in unmarked graves.
No wonder I felt uneasy around the riverbank behind the Jolly Frog.
A ghost town in more ways than one.
They might well be spinning in them now.
To mix my metaphors, I hope the frog is a phoenix in disguise and will rise from its ashes.
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(abc news)

Thursday 6 February 2014

The Phantom Toll House

Plein air oil painting of Windsor Tollhouse by artist Jane Bennett
Starting "Windsor Tollhouse" 2014
oil on canvas 25 x 51cm
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By noon I had finished the first small oil study and started a larger canvas to reveal the Tollhouse in the context of the surrounding landscape.
The exterior of the Tollhouse had been lovingly restored in 1997.
I had heard that a local historical society used to open it for tours, but it looks as though it has not been opened for several years at least.
Plein air oil painting of Windsor Tollhouse by artist Jane Bennett
Starting "Windsor Tollhouse" 2014 
oil on canvas 25 x 51cm
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The 1974 version of Fitzroy Bridge is the 5th incarnation of the bridge over South Creek.
Plein air oil painting of Windsor Tollhouse by artist Jane Bennett
Painting "Windsor Tollhouse" 2014 oil on canvas 25 x 51cm
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In contrast to the current surroundings, this 1875 photo of the Tollhouse with the "Jolly Frog"  shows  the prominent place the Jolly Frog and Toll House once played as gate posts leading into Windsor.
Plein air oil painting of Windsor Tollhouse by artist Jane Bennett
Painting "Windsor Tollhouse" 2014
oil on canvas 25 x 51cm

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As you can see in this photo, the Tollhouse is invisible from the main road. Unfortunately despite its site as Windsor's heritage gateway it isn't able to function as a tourist drawcard.
The bridge definitely needs to be at this level or even higher, due to frequent  flooding, so there is no easy solution to the problem of the Tollhouse.
Plein air oil painting of Windsor Tollhouse by artist Jane Bennett
Painting "Windsor Tollhouse" 2014
oil on canvas 25 x 51cm

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 The land is close to the river, and even more prone to flooding than the other side of the road which is slightly more elevated.
The Tollhouse is now buried deep in a hole.
Plein air oil painting of Windsor Tollhouse by artist Jane Bennett
"Windsor Tollhouse" 2014
oil on canvas 25 x 51cm

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In the shadow of the concrete wall, this little heritage gem stands no chance of becoming the tourist drawcard that it so richly deserves to be.
Plein air oil painting of Windsor Tollhouse by artist Jane Bennett
"Windsor Tollhouse" 2014
oil on canvas 25 x 51cm

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 I managed to complete  this painting by 5.30 pm.
Plein air oil painting of Windsor Tollhouse by artist Jane Bennett
"Windsor Tollhouse" 2014
oil on canvas 25 x 51cm

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What a contrast between the sensitivity of the texture of the convict cut sandstone blocks and the brutality of the concrete aggregate wall!
I think that my painting really expresses the feeling of claustrophobia given by the oppressive concrete wall looming over the Toll House.
The wall has a threatening, almost malevolent appearance, and the building seems to be in danger of being buried by it.

Friday 24 January 2014

Paintings of Pink pubs - Painting the Jolly Frog Part 2

Another painting of the "Jolly Frog" before the fire.
I've just read the excellent historical notes on theself-guided Windsor Heritage Walks, that I found in the Macquarie Arms Hotel.
I painted this view from the site of the Windsor Barracks and Guardhouse opposite.
According to the guide "in 1818 a substantial brick barracks accommodating up to 60 soldiers was completed on this site by Richard Fitzgerald. The foundations of the guardhouse constructed in 1830 at the entrance to the barracks were unearthed by roadworks in 1976 and the site preserved. The guardhouse consisted of 3 small cells which were used for the confinement of subordinate soldiers. The site was surrounded by a high wall, remnants of which survive today. The barracks and guardhouse were demolished in about 1928 to make way for the construction of a police station and lockup."
plein air oil painting of the abandoned hotel "Jolly Frog" in Windsor by artist Jane Bennett
WJF4 'The 'Jolly Frog' from the foundations
of the Military Barracks
 2013 oil on canvas 31 x 61cm
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Whenever I painted the "Jolly Frog" I found myself thinking about Edward Hopper's paintings, while listening to the Buena Vista Social Club on my mp3 player.In Edward Hopper's paintings, encroaching shadows express the tension between nature and culture, and past and present.
Although roads are typically associated with the noise, speed, and rapid change of modern life, this scene is curiously still and silent.
I've finally tracked down the Edward Hopper painting that I feel it most resembles " Early Sunday Morning" 1930.
After crossing the Fitzroy bridge over South Creek, for a minute I thought I had arrived at a sleepy Cuban shanty town. The shabby facade of the "Jolly Frog" painted like a block of liquorice allsorts , a combination of sublime architecture and gorblimey colour evoked the streets of Old Havana.
I've always wondered about the inspiration behind the surprising and lurid colour schemes of moribund pubs.
For comparison, I have included 2 of my paintings of the ex-pub "The Pyrmont Arms".
plein air oil painting of the "ex Pyrmont Arms" in Pyrmont by artist Jane Bennett
"P248A The 'Pyrmont Arms' from the CSR 2
1991 oil on canvas 31 x 31cm

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The pink paint job is startling enough on the close up bird's eye view study I painted from the roof of the CSR boilerhouse (now the 'Elizabeth' apartment of the Jackson's Landing LendLease development)
But just look at how it sticks out like a sore thumb amongst all the dark decaying bond stores and warehouses!
plein air oil painting of the "ex Pyrmont Arms" in Pyrmont by artist Jane Bennett
P249 "Pyrmont panorama- from the CSR 2"
 1991 oil on canvas 38 x 76cm
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Same fabulously horrid "glow in the dark" shade of "Paddo pink", but a very different fate was in store for the ex- Pyrmont Arms Hotel. It is no longer a hotel, but has been reasonably sympathetically renovated and is now a combination of apartments above and a bottle-o below.
The real mystery is how the "Terminus Hotel" a block further south in Pyrmont has so far escaped. The Terminus has been derelict since the mid 1980s, and must surely be a candidate for the Guinness Book of Records for the longest existence as a derelict building without having suffered a mysterious fire. If you're interested in its strange history see my posts in this blog "To the Point" , "Looking over the overlooked" and "A tale of Two Pyrmont Hotels"

Update
plein air oil painting of the abandoned hotel "Jolly Frog" in Windsor by artist Jane Bennett
WJF4 'The 'Jolly Frog' from the foundations
of the Military Barracks
 2013 oil on canvas 31 x 61cm

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Past and present at the Jolly Frog, 26th January 2014
plein air oil painting of the abandoned hotel "Jolly Frog" in Windsor by artist Jane Bennett
WJF4 'The 'Jolly Frog' from the foundations
of the Military Barracks
 2013 oil on canvas 31 x 61cm

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 Past and present at the Jolly Frog, 26th January 2014
plein air oil painting of the abandoned hotel "Jolly Frog" in Windsor by artist Jane Bennett
WJF5 'The 'Jolly Frog' (there's nothing...)
 2013 oil on canvas 25 x 31cm
Private Collection : Windsor
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See my page of Pyrmont paintings

Wednesday 22 January 2014

The Boiling Frog

plein air oil painting of the "Jolly Frog" pub in Windsor by artist Jane Bennett
 WJF1 'Door of the 'Jolly Frog' 
2013 oil on canvas 15 x 15cm
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The "Jolly Frog", was "mysteriously" burnt down at about 10pm on the 20th January.
A popular local watering hole, it had been derelict for several years.
Its lurid fluoro pink paint job was the first visible landmark after crossing the bridge into Windsor.
Now it's gone up in smoke.
A few months before, I painted some small studies from a small road opposite the "Frog"  I also painted a few small studies from my car behind the pub, where there was a wasteland used as a carpark.
The "Jolly Frog" certainly had the atmosphere of an accident waiting to happen. it reminded me of  the former White Bay Hotel, which a couple of years ago had suffered a similar fate.
plein air oil painting of the "Jolly Frog" pub in Windsor by artist Jane Bennett
 WJF3 'Study of the 'Jolly Frog' 
2013 oil on canvas 18 x 13cm
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plein air oil painting of the "Jolly Frog" pub in Windsor by artist Jane Bennett
WJF2 'Sign of the 'Jolly Frog' 
2013 oil on canvas 18 x 13cm
Private Collection : Winmalee
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This trio of tiny oil studies have a slightly "Edward Hopper" air about them; never a bad thing to have.
Closed shutters, boarded up doors and a disquieting mystery inside.
In my next post about painting the 'Jolly Frog' I have some 'before and after' paintings.